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Communication Systems Projects with LabVIEW
(col10610)
Author:
Ed Doering
Keywords:
ASK
,
bandpass communications
,
Caller ID
,
channel coding
,
coherent detection
,
communication systems
,
error control
,
eye diagram
,
FSK demodulation
,
Hamming block code
,
intersymbol interference
,
ISI
,
LabVIEW
,
LabVIEW Modulation Toolkit
,
PAM
,
receiver
,
simulation
,
texting
,
transmitter
,
visualization
Summary:
"Communication Systems Projects with LabVIEW" features ten project activities in digital communication systems based on the LabVIEW graphical dataflow programming platform. Each project includes introductory material in the form of text and narrated screencast videos, specifications for low-level subVI building blocks, and step-by-step instructions to assemble application ... Speaker-Air-Microphone Channel.
[Expand Summary]
"Communication Systems Projects with LabVIEW" features ten project activities in digital communication systems based on the LabVIEW graphical dataflow programming platform. Each project includes introductory material in the form of text and narrated screencast videos, specifications for low-level subVI building blocks, and step-by-step instructions to assemble application VIs to implement a variety of simulations, visualizations, and working transmitters and receivers. This textbook organizes the projects into related topics, including: (1) Simulation and Visualization of Fundamental Concepts, (2) Channel Coding and Error Control, (3) FSK Demodulation (Caller ID), and (4) Bandpass Communications over the Speaker-Air-Microphone Channel.
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
94.81%
Revised:
2009-12-15
Revisions:
2
Musical Signal Processing with LabVIEW -- Additive Synthesis
(col10479)
Author:
Ed Doering
Keywords:
additive synthesis
,
amplitude trajectory
,
frequency trajectory
,
instantaneous frequency
,
LabVIEW
,
partials
Summary:
Additive synthesis creates complex sounds by adding together individual sinusoidal signals called partials. A partial's frequency and amplitude are each time-varying functions, so a partial is a more flexible version of the harmonic associated with a Fourier series decomposition of a periodic waveform. Learn about partials, how to ... with LabVIEW".
[Expand Summary]
Additive synthesis creates complex sounds by adding together individual sinusoidal signals called partials. A partial's frequency and amplitude are each time-varying functions, so a partial is a more flexible version of the harmonic associated with a Fourier series decomposition of a periodic waveform. Learn about partials, how to model the timbre of natural instruments, various sources of control information for partials, and how to make a sinusoidal oscillator with an instantaneous frequency that varies with time. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
49.23%
Revised:
2007-11-07
Revisions:
New
Musical Signal Processing with LabVIEW -- Analog Synthesis and Modular Synthesizers
(col10480)
Author:
Ed Doering
Keywords:
analog synthesis
,
keyboard
,
LabVIEW
,
modular synthesizer
,
sequencer
,
VCA
,
VCF
,
VCO
Summary:
Analog modular synthesizers popular in the 1960s and 1970s produce sound with electronic devices such as oscillators, amplifiers, filters, and envelope generators linked together by cables. A specific cable configuration (or "patch") produces a distinct sound controlled by a keyboard or sequencer. While digital synthesis has largely replaced analog synthesizers ... with LabVIEW".
[Expand Summary]
Analog modular synthesizers popular in the 1960s and 1970s produce sound with electronic devices such as oscillators, amplifiers, filters, and envelope generators linked together by cables. A specific cable configuration (or "patch") produces a distinct sound controlled by a keyboard or sequencer. While digital synthesis has largely replaced analog synthesizers, the concepts and techniques of analog synthesis still serve as the basis for many types of synthesis algorithms. Learn about modular synthesizers and use LabVIEW to compose a piece of music by emulating an analog synthesizer. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
64.24%
Revised:
2007-11-07
Revisions:
New
Musical Signal Processing with LabVIEW -- Introduction to Audio and Musical Signals
(col10481)
Author:
Ed Doering
Keywords:
amplitude
,
equal temperament
,
frequency
,
harmonics
,
hearing
,
intensity
,
LabVIEW
,
musical signals
,
perception
,
pitch
,
sound
,
tuning systems
Summary:
Learn about human perception of sound, including pitch and frequency, intensity and amplitude, harmonics, and tuning systems. The treatment of these concepts is oriented to the creation of music synthesis algorithms. A hands-on project investigates the specific choice of frequencies for the tuning system called "equal temperament," the most ... with LabVIEW".
[Expand Summary]
Learn about human perception of sound, including pitch and frequency, intensity and amplitude, harmonics, and tuning systems. The treatment of these concepts is oriented to the creation of music synthesis algorithms. A hands-on project investigates the specific choice of frequencies for the tuning system called "equal temperament," the most common tuning system for Western music. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
76.22%
Revised:
2007-11-07
Revisions:
New
Musical Signal Processing with LabVIEW -- MIDI for Synthesis and Algorithm Control
(col10487)
Author:
Ed Doering
Keywords:
MIDI
,
MIDI messages
,
Musical Instrument Digital Interface
,
standard MIDI file
Summary:
The Musical Instrument Digital Interface (MIDI) standard specifies how to convey performance control information between synthesizer equipment and computers. Standard MIDI files (.mid extension) include timing information with MIDI messages to embody a complete musical performance. Learn about the MIDI standard, discover useful MIDI-related software utilities, and learn how ... own design.
[Expand Summary]
The Musical Instrument Digital Interface (MIDI) standard specifies how to convey performance control information between synthesizer equipment and computers. Standard MIDI files (.mid extension) include timing information with MIDI messages to embody a complete musical performance. Learn about the MIDI standard, discover useful MIDI-related software utilities, and learn how to use LabVIEW to create a standard MIDI file according to your own design that can be played by any media appliance. Also learn about "MIDI JamSession," a LabVIEW application VI that renders standard MIDI files to audio using "virtual musical instruments" of your own design.
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
68.53%
Revised:
2007-11-09
Revisions:
2
Musical Signal Processing with LabVIEW -- Modulation Synthesis
(col10483)
Author:
Ed Doering
Keywords:
AM
,
amplitude modulation
,
FM
,
frequency modulation
,
John Chowning
,
LabVIEW
,
pitch shifter
,
signal processor
,
synthesis
Summary:
Amplitude modulation (AM) and frequency modulation (FM) are familiar types of communications systems. When the modulating frequency is in the audio range, AM (also called ring modulation) produces interesting special effects by shifting the source signal spectrum, and can be used to raise or lower the pitch of an instrument ... with LabVIEW".
[Expand Summary]
Amplitude modulation (AM) and frequency modulation (FM) are familiar types of communications systems. When the modulating frequency is in the audio range, AM (also called ring modulation) produces interesting special effects by shifting the source signal spectrum, and can be used to raise or lower the pitch of an instrument or voice. FM creates rich, time-varying spectra that can be designed to emulate the sound of many different musical instruments. Learn about the mathematics of AM and FM, and learn how to implement these modulation schemes as audio signal processors and music synthesizers in LabVIEW. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
63.31%
Revised:
2007-11-07
Revisions:
New
Musical Signal Processing with LabVIEW -- Programming Techniques for Audio Signal Processing
(col10440)
Author:
Ed Doering
Keywords:
arrays
,
audio files
,
audio input/output
,
editing tips
,
LabVIEW tutorial
,
programming structures
Summary:
After completing this multi-media course you will be well-equipped to start creating your own audio and signal processing applications within the LabVIEW development environment. The modules in this course make extensive use of "screencasts" -- videos captured directly from the computer screen that show the LabVIEW tool in operation ... with LabVIEW".
[Expand Summary]
After completing this multi-media course you will be well-equipped to start creating your own audio and signal processing applications within the LabVIEW development environment. The modules in this course make extensive use of "screencasts" -- videos captured directly from the computer screen that show the LabVIEW tool in operation, with audio narration to explain each step. The course includes a "Getting Started" tutorial, editing tips, essential programming structures, subVIs, arrays, audio sources, audio output to the soundcard, reading and writing audio files, and real-time audio output with interactive parameter control. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
93.83%
Revised:
2007-07-18
Revisions:
New
Musical Signal Processing with LabVIEW -- Sound Spatialization and Reverberation
(col10485)
Author:
Ed Doering
Keywords:
all-pass filter
,
comb filter
,
concert hall
,
delay
,
impulse response
,
LabVIEW
,
localization cue
,
reverberation
,
Schroeder reverberator
,
virtual sound source
Summary:
Reverberation is a property of concert halls that greatly adds to the enjoyment of a musical performance. Sound waves propagate directly from the stage to the listener, and also reflect from the floor, walls, ceiling, and back wall of the stage to create myriad copies of the direct sound that ... with LabVIEW."
[Expand Summary]
Reverberation is a property of concert halls that greatly adds to the enjoyment of a musical performance. Sound waves propagate directly from the stage to the listener, and also reflect from the floor, walls, ceiling, and back wall of the stage to create myriad copies of the direct sound that are time-delayed and reduced in intensity. Learn how to model a reverberant environment using comb filters and all-pass filters, and how to implement these digital filters in LabVIEW to create an audio signal processor that can add reverberation an audio signal. In addition, learn how to place a virtual sound source in a stereo sound field using interaural intensity difference (IID) and interaural timing difference (ITD) localization cues. This course is part of the series "Musical Signal Processing with LabVIEW."
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
65.46%
Revised:
2007-11-07
Revisions:
New
Musical Signal Processing with LabVIEW -- Subtractive Synthesis
(col10484)
Author:
Ed Doering
Keywords:
band-limited source
,
cross synthesis
,
digital filter
,
formants
,
Karplus and Strong
,
LabVIEW
,
plucked string
,
real-time filter
,
resonance
,
time-varying
,
vowel synthesis
,
wideband source
Summary:
Most musical instruments as well as the human voice create sound by exciting a resonant structure or cavity by a wideband pulsed source. The resonant structure amplifies select frequency bands (called formants) and suppresses (or "subtracts") others. Subtractive synthesis algorithms use time-varying sources and time-varying digital filters to ... with LabVIEW".
[Expand Summary]
Most musical instruments as well as the human voice create sound by exciting a resonant structure or cavity by a wideband pulsed source. The resonant structure amplifies select frequency bands (called formants) and suppresses (or "subtracts") others. Subtractive synthesis algorithms use time-varying sources and time-varying digital filters to model physical instruments. Learn how to use the DSP capabilities of LabVIEW to implement an interactive time-varying filter, a band-limited wideband source, a vowel synthesizer for speech, a "cross synthesizer" in which a speech signal's spectral envelope is superimposed on a musical signal, and a remarkably life-like plucked string sound. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
53.96%
Revised:
2007-11-07
Revisions:
2
Musical Signal Processing with LabVIEW -- Tremolo and Vibrato Effects (Low-Frequency Modulation)
(col10482)
Author:
Ed Doering
Keywords:
LabVIEW
,
tremolo
,
vibrato
Summary:
Tremolo and vibrato add interest to the sound of musical instruments and the singing voice. Tremolo is a low-frequency variation in amplitude, while vibrato is a low-frequency variation in frequency. Learn how to model each of these effects mathematically, and discover how to implement these effects in LabVIEW ... with LabVIEW".
[Expand Summary]
Tremolo and vibrato add interest to the sound of musical instruments and the singing voice. Tremolo is a low-frequency variation in amplitude, while vibrato is a low-frequency variation in frequency. Learn how to model each of these effects mathematically, and discover how to implement these effects in LabVIEW. This course is part of the series "Musical Signal Processing with LabVIEW".
[Collapse Summary]
Subject:
Science and Technology
Language:
English
Popularity:
56.33%
Revised:
2007-11-07
Revisions:
New
[
1
]
2
3
4
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