We start off with an analog signal. This can for example be the sound
coming from your stereo at home or your friend talking.
The signal is then sampled uniformly. Uniform sampling implies that we sample every
TsTs
seconds. In Figure 1 we see an analog signal. The analog
signal has been sampled at times
t=nTs
t
n
Ts
.
In signal processing it is often more convenient and easier to work
in the frequency domain. So let's look at at the signal in
frequency domain,
Figure 2. For illustration purposes
we take the frequency content of the signal as a triangle.
(If you Fourier transform the signal in
Figure 1 you will not
get such a nice triangle.)
Notice that the signal in
Figure 2 is bandlimited.
We can see that the signal is bandlimited because
XiΩ
X
Ω
is zero outside the interval
−Ωg
Ωg
Ωg
Ωg
. Equivalentely we can state that the signal has no angular frequencies above
ΩgΩg, corresponding
to no frequencies above
Fg=Ωg2π
Fg
Ωg
2
.
Now let's take a look at the sampled signal in the frequency domain.
While proving the sampling theorem we found the the spectrum of the sampled
signal consists of a sum of shifted versions of the analog spectrum. Mathematically this is
described by the following equation:
XseiΩTs=1Ts∑k=-∞∞X(i(Ω+2πkTs))
Xs
Ω
Ts
1
Ts
k
-∞
∞
X
Ω
2
k
Ts
(1)
In Figure 3 we show the result of sampling
xtxt according to
the sampling theorem.
This means that when sampling the signal in Figure 1/Figure 2 we use
Fs≥2Fg
Fs
2
Fg
.
Observe in Figure 3 that we have the same spectrum as in Figure 2
for
Ω∈
-Ωg
Ωg
Ω
-Ωg
Ωg
, except for the scaling factor
1Ts
1
Ts
.
This is a consequence of the sampling frequency. As mentioned in the
proof the spectrum of the sampled signal
is periodic with period
2πFs=2πTs
2
Fs
2
Ts
.
So now we are, according to the sample theorem,
able to reconstruct the original signal exactly. How we can do this
will be explored further down under reconstruction. But first we
will take a look at what happens when we sample too slowly.
If we sample xtxt too slowly,
that is
Fs<2Fg
Fs
2
Fg
, we will get overlap between the repeated spectra,
see Figure 4.
According to
Equation 1 the resulting spectra is the sum of these. This overlap
gives rise to the concept of aliasing.
If the sampling frequency is less than twice the highest frequency component,
then frequencies in the original signal that are above half the sampling rate will be "aliased"
and will appear in the resulting signal as lower frequencies.
The consequence of aliasing is that we cannot recover the original signal,
so aliasing has to be avoided.
Sampling too slowly will produce a sequence
xsn
xs
n
that could have orginated from a number of signals. So there is no chance
of recovering the original signal.
To learn more about aliasing, take a look at this module.
(Includes an applet for demonstration!)
To avoid aliasing we have to sample fast enough. But if we can't sample fast enough
(possibly due to costs) we can include an Anti-Aliasing filter. This will
not able us to get an exact reconstruction but can still be a good solution.
Typically a low-pass filter that is applied before sampling to ensure that no
components with frequencies greater than half
the sample frequency remain.
The stagecoach effect
In older western movies you can observe aliasing on a stagecoach
when it starts to roll. At first the spokes appear to
turn forward, but as the stagecoach increase its speed the spokes
appear to turn backward. This comes from the fact that the sampling rate,
here the number of frames per second, is too low. We can view
each frame as a sample of an image that is changing continuously
in time. (Applet illustrating the stagecoach effect)