Skip to content Skip to navigation

Connexions

You are here: Home » Content » Dynamics and Accents in Music

Navigation

Content Actions
  • Download module PDF
  • Add to ...
    Add the module to:
    • My Favorites
    • A lens
    • An external social bookmarking service
    • My Favorites (What is 'My Favorites'?)
      'My Favorites' is a special kind of lens which you can use to bookmark modules and collections directly in Connexions. 'My Favorites' can only be seen by you, and collections saved in 'My Favorites' can remember the last module you were on. You need a Connexions account to use 'My Favorites'.
    • A lens (What is a lens?)

      Definition of a lens

      Lenses

      A lens is a custom view of Connexions content. You can think of it as a fancy kind of list that will let you see Connexions through the eyes of organizations and people you trust.

      What is in a lens?

      Lens makers point to Connexions materials (modules and collections), creating a guide that includes their own comments and descriptive tags about the content.

      Who can create a lens?

      Any individual Connexions member, a community, or a respected organization.

      What are tags? tag icon

      Tags are descriptors added by lens makers to help label content, attaching a vocabulary that is meaningful in the context of the lens.

    • External bookmarks
  • E-mail the author
  • Rate this module (How does the rating system work?)

    Rating system

    Ratings

    Ratings allow you to judge the quality of modules. If other users have ranked the module then its average rating is displayed below. Ratings are calculated on a scale from one star (Poor) to five stars (Excellent).

    How to rate a module

    Hover over the star that corresponds to the rating you wish to assign. Click on the star to add your rating. Your rating should be based on the quality of the content. You must have an account and be logged in to rate content.

    		(0 ratings)

Recently Viewed

This feature requires Javascript to be enabled.

Tags

(What is a tag?)

These tags come from the endorsement, affiliation, and other lenses that include this content.

Dynamics and Accents in Music

Module by: Catherine Schmidt-Jones

Summary: An overview of the musical terms related to the dynamics, or loudness, of music, including accents.

Note: You are viewing an old version of this document. The latest version is available here.

Dynamics and Accents

Sounds, including music, can be barely audible, or loud enough to hurt your ears, or anywhere in between. When they want to talk about the loudness of a sound, scientists and engineers talk about amplitude. Musicians talk about dynamics. The amplitude of a sound is a particular number, usually measured in decibels, but dynamics are relative; an orchestra playing fortissimo is going to be much louder than a single violin playing fortissimo. The exact interpretation of each dynamic marking depends on:

  • comparison with other dynamics in the music
  • the typical dynamic range for that instrument or ensemble
  • the abilities of the performer(s)
  • the traditions of the musical genre being performed

Traditionally, dynamic markings are based on Italian words, although there is nothing wrong with simply writing things like "quietly" or "louder" in the music. Forte means loud and piano means soft. The instrument commonly called the "piano" by the way, was originally called a "pianoforte" because it could play dynamics, unlike earlier popular keyboard instruments like the harpsichord.

Figure 1
Typical Dynamic Markings
Typical Dynamic Markings (pf.png)

When a composer writes a forte into a part, followed by a piano, the intent is for the music to be quite loud, and then suddenly quite soft. If the composer wants the change from one dynamic level to another to be gradual, different markings are added. A crescendo (pronounced "cresh-EN-doe") means "gradually get louder"; a decrescendo or diminuendo means "gradually get softer".

Figure 2: Here are three different ways to write the same thing: start softly (piano), gradually get louder (crescendo) until the music is loud (forte), then gradually get softer (decrescendo or diminuendo) until it is soft (piano) again.
Gradual Dynamic Markings
Gradual Dynamic Markings (cresc.png)

A composer may want a particular note to be louder than all the rest, or may want the very beginning of a note to be loudest. Accents are markings that are used to indicate these especially-strong-sounding notes. Exactly how each accent should be played depends on the instrument playing it, as well as on the style and period of the music. Some accents may even be played by making the note longer or more separate from the other notes, rather than louder. (See articulation.)

Figure 3: The exact performance of each type of accent depends on the instrument and the style and period of the music, but the sforzando and fortepiano-type accents are usually louder and longer, and more likely to be used in a long note that starts loudly and then suddenly gets much softer. Caret-type accents are more likely to be used to mark shorter notes that should be stronger than unmarked notes.
Common Accents
Common Accents (accents.png)

Comments, questions, feedback, criticisms?

Send feedback