Vincenzo Galilei was born in
Florence. He made his living as a
lutenist, composer, theorist, singer, and teacher. Around 1560
he settled in Pisa, where Galileo Galilei was born in 1564, the
oldest of six or seven children. During this period Galilei also
studied for some time in Venice under the theorist Gioseffo
Zarlino, with whom he later had a dispute about music theory. In
the early 1570s Galilei and his family settled in Florence. His
prowess as a musician and theorist attracted a number of
powerful patrons, and he often spent time at their
residences. e.g., in 1578-79 with Duke Albrecht of Bavaria in
Munich.
Vincenzo Galilei published a number of books of musical scores
for the lute and several books on musical theory. What is
important about Galilei for our purposes is that he combined
the practice and theory of music. Since antiquity, the theory
of music had consisted of a mathematical discussion of harmony,
in other words what are the mathematical ratios of the lengths
of strings producing consonances, and how does one divide the
octave? It had always been thought that not only was the ratio
of lengths of two strings sounding an octave 2:1, but that so
also was the ratio of the tensions of strings of equal lengths
tuned an octave apart. Galilei showed that this is not the
case: the ratio of tensions is 4:1. He found that ratio by
hanging weights from strings. Here was an experiment that
produced numbers and bore directly on the age-old theoretical
discussions.
Stillman Drake argued that Galilei performed these experiments
in 1588, when his son Galileo was living at home and giving
private lessons in mathematics. The implication here is that
young Galileo actually helped in the experiments. Be that as it
may, Galileo received from his Florentine environment in
general and from his father in particular the tendency to
combine practical considerations with theory and to try to
answer theoretical questions by experiment.
References-
Claude V. Palisco. (1995). Biography of Vicenzo Galilei. The New Grove Dictionary of Music and Musicians, VII, 96-98.
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(1992). Music and Science in the Age of Galileo. Kluwer Academic Publishers.
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Stillman Drake. (1970). Renaissance Music and Experimental Science. Journal for the History of Ideas, 31, 483-500.
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Stillman Drake. (1975). The Role of Music in Galileo's Experiments. Scientific American, 232, 98-104.