Skip to content Skip to navigation

Connexions

You are here: Home » Content » Conclusion

Navigation

Recently Viewed

This feature requires Javascript to be enabled.
 

Conclusion

Module by: David Newell. E-mail the author

Summary: Conclusion of determining room inpulse responses and deconvolving the response out of a recorded signal.

Conclusion

After taking the impulse responses and comparing them to the theoretical values, we noticed a large difference due to non-rectangular rooms, objects in the room and clipping. The non-linear effect of clipping not only removed information from the signal, but did so in a way that was unrecoverable by our Fourier analysis. With a better theoretical model, we could take responses from multiple sources and recievers quickly, but for getting a single impulse response of a room, given little to no clipping, manually taking the impulse response is simple enough. For commercial uses of measuring the impulse response, like measuring the response from each seat in a orchestra hall to each instrument, a robust theoretical method is needed, including other objects in the room and non-rectangular rooms. Materials played an important factor in the impusle response. While most of the walls had similiar reflection coefficients, the Will Rice room had wooden ceilings that had a drastic impact on the impulse response. The lower reflection coefficient led to more distortion in the signal and a loss of energy compared to the other surfaces.

The deconvolution of the signal was intended to remove the room response on a recorded signal, but in the process amplified the noise. Much of the noise was in the signal and could not be easily filtered out. The deconvolution did reproduce the original signal, the quality was worse than the recorded signal. With a better method of deconvolution, one that was able to account for noise and minimize it rather than amplify it, clearer signals could be produced. The clipping of our signal caused the deconvolution to remove part of the response that was already taken out, creating amplitude aliasing. Perfect deconvolution would be useful in creating a clean recorded signal, almost regardless of recording environment. Deconvolution has uses in non-sound signals as well. Given a signal and the impulse response of the environment in which it was taken, the original signal should be retrievable through deconvolution given the system is linear and time-invariant. For specific cases, a true impulse response isn't needed. If the response for all possible frequencies is known, it can be used instead of the impusle response with the other frequencies filtered out to remove noise. The specific response can be deconvolved from a known input signal and the recorded output of the system.

Content actions

Download module as:

PDF | EPUB (?)

What is an EPUB file?

EPUB is an electronic book format that can be read on a variety of mobile devices.

Downloading to a reading device

For detailed instructions on how to download this content's EPUB to your specific device, click the "(?)" link.

| More downloads ...

Add module to:

My Favorites (?)

'My Favorites' is a special kind of lens which you can use to bookmark modules and collections. 'My Favorites' can only be seen by you, and collections saved in 'My Favorites' can remember the last module you were on. You need an account to use 'My Favorites'.

| A lens I own (?)

Definition of a lens

Lenses

A lens is a custom view of the content in the repository. You can think of it as a fancy kind of list that will let you see content through the eyes of organizations and people you trust.

What is in a lens?

Lens makers point to materials (modules and collections), creating a guide that includes their own comments and descriptive tags about the content.

Who can create a lens?

Any individual member, a community, or a respected organization.

What are tags? tag icon

Tags are descriptors added by lens makers to help label content, attaching a vocabulary that is meaningful in the context of the lens.

| External bookmarks