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  <name>Eminent Interpreters of the Beethoven Violin Concerto</name>
  <metadata>
  <md:version>1.1</md:version>
  <md:created>2006/02/16 23:10:24.969 US/Central</md:created>
  <md:revised>2006/02/19 14:37:12.547 US/Central</md:revised>
  <md:authorlist>
      <md:author id="csunday">
      <md:firstname>C.M.</md:firstname>
      
      <md:surname>Sunday</md:surname>
      <md:email>techfiddle@yahoo.com</md:email>
    </md:author>
  </md:authorlist>

  <md:maintainerlist>
    <md:maintainer id="csunday">
      <md:firstname>C.M.</md:firstname>
      
      <md:surname>Sunday</md:surname>
      <md:email>techfiddle@yahoo.com</md:email>
    </md:maintainer>
    <md:maintainer id="Catherine">
      <md:firstname>Catherine</md:firstname>
      <md:othername>A.</md:othername>
      <md:surname>Schmidt-Jones</md:surname>
      <md:email>casjones@soltec.net</md:email>
    </md:maintainer>
  </md:maintainerlist>
  
  <md:keywordlist>
    <md:keyword>Auer</md:keyword>
    <md:keyword>Beethoven</md:keyword>
    <md:keyword>concerto</md:keyword>
    <md:keyword>Flesch</md:keyword>
    <md:keyword>Galamian</md:keyword>
    <md:keyword>Hubay</md:keyword>
    <md:keyword>Joachim</md:keyword>
    <md:keyword>Kreisler</md:keyword>
    <md:keyword>Perlman</md:keyword>
    <md:keyword>Sarasate</md:keyword>
    <md:keyword>Stern</md:keyword>
    <md:keyword>Szigeti</md:keyword>
    <md:keyword>Vieuxtemps</md:keyword>
    <md:keyword>violin</md:keyword>
    <md:keyword>Wilhelmj</md:keyword>
    <md:keyword>Ysaÿe</md:keyword>
  </md:keywordlist>

  <md:abstract>Historical table of interpreters of the Beethoven Violin Concerto, with links to photos and bios of artists: Vieuxtemps, Joachim, Sarasate, Wilhelmj, Auer, Flesch, Ysaÿe, Hubay, Kreisler, Szigeti, Galamian, Stern, Perlman.</md:abstract>
</metadata>
  <content>
    <para id="delete_me">TIME LINE FOR INTERPRETERS OF THE <link src="http://cnx.rice.edu/content/m13404/latest/"><emphasis>BEETHOVEN VIOLIN CONCERTO, OP. 61</emphasis></link>
</para><para id="element-950"><link src="http://www.keylin.com/viuxtmps.html"><emphasis>Henry Vieuxtemps</emphasis></link>  (1820-1881) 
["…Vieuxtemps had revived (the Beethoven concerto) in Vienna in 1834, seven years after its composer’s death, and was to play again there eight years later, in 1842."]</para><para id="element-998"><link src="http://www.violinstudent.com/history/february/february22.html"><emphasis>Joseph Joachim</emphasis></link>  (1831-1907)
["…Joachim also championed Beethoven's violin concerto to the extent that the Beethoven became cornerstone in the standard violin repertoire."]</para><para id="element-217"><link src="http://www.chez.com/craton/musique/sarasate/sarasate.htm"><emphasis>Pablo de Sarasate</emphasis></link>  (1844-1908) </para><para id="element-875"><link src="http://www.picturehistory.com/find/p/19769/mcms.html"><emphasis>August Wilhelmj</emphasis></link>  (1845-1908)
[Wilhelmj served as concertmaster for Wagner.]</para><para id="element-366"><link src="http://www.violinmp3.com/interview-leopold-auer.html"><emphasis>Leopold Auer</emphasis></link>  (1845–1930)
["No reviser needs to put any indications for <cite>nuance</cite> and shading in Beethoven. He was quite able to attend to all that himself. There is no composer who shows such refinement of <cite>nuance</cite>. You need only to take his quartets or these same sonatas to convince yourself of the fact."]</para><para id="element-686"><link src="http://www.carl-flesch.de/"><emphasis>Carl Flesch</emphasis></link>  (1853-1915) 
["…his performances of concerti by Bach, Beethoven and Brahms stood out with an inimitable authority that made them uniquely inspiring."]</para><para id="element-788"><link src="http://members.tripod.com/~Bratschenspieler/YSAYE.HTM">
<emphasis>Eugène Ysaÿe</emphasis></link> (1858–1931)
["He was, after hearing Joachim's interpretation of the Beethoven Concerto [<link src="http://w3.rz-berlin.mpg.de/cmp/beethoven_violin_con.html">Sound files</link>], convinced of its musical value, but continued to study it until his thirty-first year, developing a truly personal rendition which, though many disagreed with its freedoms, formed a compelling musical statement."]</para><para id="element-882"><link src="http://www.hubay.hu/profile.html"><emphasis>Jeno Hubay</emphasis></link> (1858-1937) </para><para id="element-736"><link src="http://www.thirteen.org/publicarts/violin/kreisler.html"><emphasis>Fritz Kreisler</emphasis></link>  (1875-1962)
["…he also… published numerous arrangements of early and modern music (Corelli's "La Folia," Tartini's "The Devil's Trill," Dvorák's "Slavonic Dances," Granados's "Spanish Dance," Albéniz's "Tango" et al.), and prepared cadenzas for the Beethoven and Brahms violin concertos."]</para><para id="element-972"><link src="http://tinyurl.com/d69w3">
<emphasis>Jozsef Szigeti</emphasis></link>  (1892-1973)
["…it was his Philadelphia début in 1925, with the Beethoven Concerto conducted by Stokowski, that sealed his fame."] </para><para id="element-873"><link src="http://music.cua.edu/faculty/gatwood/galamian.cfm"><emphasis>Ivan Galamian</emphasis></link>  (1903-1981)
["Ivan Galamian was one of the greatest violin teachers of the 20th Century."]</para><para id="element-195"><link src="http://www.pbs.org/wnet/americanmasters/database/stern_i.html">
<emphasis>Isaac Stern</emphasis></link> (1920-2001)</para><para id="element-941"><link src="http://www.sonyclassical.com/artists/perlman/bio.html"><emphasis>Itzak Perlman</emphasis></link> (1945-  )</para><para id="element-819"><list id="forcesexample">
<name>Other important dates:</name>
<item> 1806 First performance, Franz Clement</item> 
<item> 1812 Second performance, Berlin</item> 
<item> 1828 Third performance, Pierre Baillot</item> 
<item> 1855 Joachim performance, Louis Spohr remark</item> 
<item> 1963 Szigeti edition</item> 
</list></para>   
  </content>
  
</document>
