The total volume of submissions ranges widely from press to press. One press reported just 25 submissions during 2005, while another reported 400. Five presses said they received between 75 and 150 submissions during 2005.
One of the most striking findings from the survey of art history editors concerns the rates of manuscript acceptance at both the point of initial receipt and following formal review. By far the largest proportion of manuscripts (and proposals) is rejected at the stage of initial receipt; just 15% were sent out for formal review. Of those submitted for review, about 85% were accepted for publication. In other words, the winnowing process is very much "front-loaded." For every 50 manuscripts or proposals submitted, 8 will be sent for review; 7 of these will survive the review process and be published.
Few survey respondents offered any specific comments about the review process. Those who did tended to value it highly:
One respondent candidly stated that the purpose of the review process was not so much to winnow books out as to tighten them up: "Generally I think that the peer review process is fair and useful. It gives an editor/press a good idea of the importance of a project and its overall contribution to the field. That said, the process is to some extent 'fixed.' Editors will always go to those reviewers who are inclined to be sympathetic to the project and methodology. Even so, reviewers who are so inclined will still be critical and will offer useful feedback and critique to the author. I always choose scholars who are 'responsible' reviewers and who want to help the author and project. I will not work with reviewers who engage in vitriol and character assassination (which is, alas, not uncommon)."