Subtractive Synthesis Concepts
Subtractive synthesis methods are characterized by a wideband excitation source followed by a time-varying filter. Linear prediction provides an effective way to estimate the time-varying filter coefficients by analyzing an existing music or speech signal. Linear predictive coding (LPC) is one of the first applications of linear prediction to the problem of speech compression. In this application, a speech signal is modelled as a time-varying digital filter driven by an innovations sequence. The LPC method identifies the filter coefficients by minimizing the prediction error between the filter output and the original signal. Significant compression is possible because the innovations sequence and filter coefficients require less space than the original signal.
Cross synthesis is a musical adaptation of the speech compression technique. A musical instrument or speech signal serves as the original signal to be analyzed. Once the filter coefficients have been estimated, the innovations sequence is discarded and another signal is used as the filter excitation. For example, a "singing guitar" effect is created by deriving the filter coefficients from a speech signal and driving the filter with the sound of an electric guitar; listen to the audio clips below:
- speech.wav -- Speech signal for digital filter coefficients (audio courtesy of the Open Speech Repository, www.voiptroubleshooter.com/open_speech; the sentences are two of the many phonetically balanced Harvard Sentences, an important standard for the speech processing community)
- eguitar.wav -- Electric guitar signal for filter input
- speech_eguitar.wav -- Cross-synthesized result (filter output)
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