Inside Collection (Course): Arts and Culture Grade 9
DRAMA
This is your last Drama Activity for the year. You will be exploring the medium of Radio Broadcasting in this module. Your educator will give you the background to radio broadcasting in order for you to understand this form of performing art.
Radio broadcasting is focussed on the voice. Keep in mind that your audience is not able to see you, but can only hear you. You should still warm up your body and your voice before you can commence.
Here is your chance to conduct a warm-up routine – the way you would like to warm up your body and voice! Remember to warm up your voice properly!
Hints on preparing your warm-up routine:
Relaxation
Posture:
Breathing and Voice:
Hints on conducting a warm-up routine:
Onwards, to your radio advertisement! You will be planning and producing a radio advertisement for the African Dance in Learning Unit 2, Grade 9 Module 4: Dance.
Keep in mind that you are going to be dealing with what your audience will HEAR. They cannot see you. Therefore you are reliant on your voice, music and special sound effects to produce a successful radio advertisement.
1. Sound effects
2. The advertisement
3. The BROADCAST
Hints for producing a radio advertisement:
Discuss with your group what the ‘feel’ of the advertisement will be.
Select the information you would like to convey – time, date, venue, etc.
Select the special sound effects – if any.
Select the background music.
Write the script.
Select the person(s) who is(are) going to do the voice-over.
Keep your target audience in mind.
Be creative!
Have fun!
Hints for recording a radio advertisement:
Experiment with distance from the microphone (far-away sounds).
Experiment with loud and soft sounds – that includes the voice-over, music and special effects.
Do you want the music to be in the background or a prominent feature?
| Learning Outcome(LOs) |
| LO 1 |
| creating, interpreting and presentingThe learner will be able to create, interpret and present work in each of the art forms. |
| Assessment Standards(ASe) |
| We know this when the learner: |
| DANCE |
| 1.1 participates in the choreography and presentation of a short dance for a performance or cultural event;1.2 in preparing the body, accurately performs a set warm-up and skill-building sequence, including body conditioning and dance technique in a particular style;1.3 moves across space in movement sequences with co-ordination, musicality, quality, style, balance and control;1.4 learns and performs, with appropriate style and movement quality, works choreographed by others from at least two cultures, which may be: |
| 1.4.1 classical / traditional (African, Eastern or Western); |
| 1.4.2 contemporary; |
| 1.5 creates a dance that fuses steps or styles from more than one South African dance form with a clear beginning, middle and ending. |
| DRAMA |
| 1.6 conducts a simple warm-up routine with the class;1.7 participates in an aspect of planning, organising, advertising, marketing, fund-raising or producing a dramatic item for an audience; |
Activity 1
With this module you have to guide the learners to be able to conduct a warm-up routine for the class. It is important they keep the following aspects of the warm-up in mind when planning their warm-up routine:
Relaxation
- End this section with the legs, ankles and feet.
Posture
Breathing and Voice
- Breathing must be done with the chest, by expanding the rib cage, and with the diaphragm.
Example of a Warm-up routine
Do a series of wide, broad but simple movements, using a maximum of space.
Involve the whole body.
Make movements with sufficient strength, but without straining the muscles.
Open yourself completely, spreading your arms and hands wide – keeping your legs apart.
Remain in this expanded position for eight counts.
Imagine that you are becoming larger.
Return to original position.
Repeat eight times.
‘Close’ yourself by crossing your arms over your chest – putting your hands on your shoulders.
Kneel on one or both knees, bending the head low.
Imagine you are becoming smaller and smaller, curling up, contracting as though the space around you is shrinking.
Return to the original position.
Stand with the backs of the hands resting on the lower ribs.
Inhale silently through the nose to a mental count up to six.
Aiming at a target on the other side of the room, say aloud ‘one-two-three’, with an open jaw.
Don’t use all the breath – let the rest ‘sigh out’.
Repeat eight times.
Activity 2
This Activity will probably be the learner’s first encounter with radio as a dramatic medium. Here follows a short background on radio broadcasting to share with your learners as an introduction to the practical activity of planning and producing a project for radio.
Background
Radio and television are the two most modern forms of art and entertainment.
In a way that even printing cannot, radio and television bring the outside world into the home.
The first radio signal through the air was made in 1895, but it was not until the 1920s that regular broadcasting became established.
Radio has made some of its biggest borrowings from the concert hall.
With news and its background, broadcasting has borrowed the techniques of newspapers and translated them into sound items.
Radio Dramas
Radio has created as well as borrowed art forms.
This is true of radio drama, where the effect is similar to that produced by reading a novel.
The listener builds up a mental image of what is happening.
Radio drama must do this entirely through dialogue, with a few sound effects to help set the scene and complete the illusion.
The ability of radio to leap though space and time gives it an advantage over theatre, cinema and television.
It can create impossible situations, which comedy writers have been quick to take advantage of.
Occasions
Radio and, even more so television, excel in bringing great occasions to life.
To do this, radio, the first in the field, created the ‘commentator’, who could describe to the listeners the scene he was watching.
Special Programmes
Broadcasting has given rise to numerous special kinds of programmes.
On the entertainment side, the best known is the serialised drama, often called a ‘soap opera’, because in the early days of such dramas on radio, many had a soap company as their sponsor.
Halfway between entertainment and information is the ‘chat show’, in which well known people take part in informal and often unscripted discussions.
In quiz programmes, professional teams and members of the public are invited to answer questions for prizes.
Other programmes include documentaries, educational programmes, religious broadcasting, children’s programmes, and music programmes (some specially aimed at the teenager and young adult and they have produced a new style of broadcaster – the Disc Jockey.)
Advertising
Almost as popular as the actual programmes, are the commercials – the advertisements that are broadcast by commercial radio and television stations to pay for the service.
Advertising ‘jingles’, with their catchy tunes, and many famous personalities are willing to participate in them.
Commercials provide the catchphrases which broadcasting has helped to put into everyday speech.
A form of musical catchphrase is the ‘signature tune’, which introduce the majority of regular programmes.
Tricks of the Trade
Radio and television employ tricks of the trade to make their programmes more enjoyable and realistic.
A broadcast from a small studio may sound as if it is coming from a big hall or other large building because ‘echo’ has been introduced.
Various sound effects are devised to create sounds and effects that cannot physically be brought into the studio, e.g. the weather.
Nowadays most of these special sound effects are pre-recorded!
1. Sound Effects
2. The Advertisement