TO MY ROSE-RIB
TO MY ROSE-RIB
150 copies of this book set by hand and privately printed on hand-press each copy has been signed by the author
This is No
Bob Brown
I but bend my finger in a beckon and birds, words of birds, hop on it, chirping.
HOURS PRESS
I5, Rue Guénégaud PARIS
1931
Operating on words -gilding and gelding them
In a rather special laboratory equipped with
Micro and with scope -I anesthetize
Pompous, prolix, sesquipedalian, Johnsonian
Inflations like Infundibuliform
Only to discover by giving them a swift
Poke in the bladder they instantly inspissate
And whortle down the loud- writing funnel.
Experimentally pricking with a sterilized needle
The centipedantic adjective Pseudepigraphous
I find it just goes Puff! and guiltily seeks
Sanctuary behind the dictionary.
All clearly classical words fray easily
The wooliest ones show undeniable traces of
Mouthy cotton. Weevil words bore.
Altiloquential ones when dropped in the
Specimen jar brimming with alcohol
Die torturously unhappy deaths from drowning
While wassail words run around the slippery rim
Making whoopee, shouting for a ducking
Coming out aglow to slip their warm little
Hands in mine with quaint curtsies from the
Lady ones and hearty "Thanks for the drink,
Old man," from their cheery red-cheeked mates
'Tis then I reach for the Laboratory Record and
Happily indite a new-found formula
WW -|- I = 1
(Words and I are one)
Zany Zed's Inarticulate Skeleton
OOze thrOugh the adenOidal Ogling OOs
TeeTer on T-bones of ToTTering TTs
Blow BuBBles with the BaBBling BBs
ExErcisE Erotic ElEphantinE knEEs
Juggle Joyous Jugfuls of Juicy Jungly JJs
ItinerIze Impy Inky ItItIs IIs
Play PoPeeP with sheePish PPPs
Zip in Zig-Zags with the Zany Zeds
Nirganth, Persian Princess
Petal of Spring
Vermillion-tipped
Jewelled fingers and toes
In the golden grass
Of the Garden of Love
Singing the
Soul Song of Spring To her swan-headed zither
Widowed Nirganth
Burdened with black baubels
On the flower-lit bank of the
Brook of Spring
Her sobbed song
Attracting full-mated, tail-tossing
Goats and ducks
And curious, timorous virginal things
With tails between their legs
Nirganth stands
Stark, alone and straight
As the stately, solemn fruitless palm
Behind her
Between two full-branched bearing trees
And two others with
Main limbs lopped off
Nirganth, widowed
Greets seminal Spring
With ritual
Sighing her plaintive
Autumnal dirge
Mid cavorting, inquisitive goats
Death of Words
Honor- Chastity
Ugly wounds- Abbatoir
CLASH
Immortality- Suicide
Religion- Punishment
BANG
Lady Godiva
Why
Did you keep me
Awake all night
Last night
Tossing
Lifting white-hot sheets
On my perpendicular tent-pole
A lonely maverick
Making camp in the
Desert of my bed
Gazing through
Gossamer gloom
For glowing glimpses of
Your dimpled
Blank-faced
White Bottom
You siren centaur
Clattering night mare
In the cobbled street
Below my scholarly garret
I am no
Lime-washed
Out-washed
Jet black stallion
To be whinnied at Neighed at
Nipped
By the vicious mind of a
Flare-eyed China-toothed Nipple-dappled
Wide-flanked
Back -biting
Heel-tossing
Hell-fire
Explosive
Back-firing
Pinto pony
Wild-maned
Montana Mare
Like you
Is not serene
In the Dome
A perfect composite of
Lord Byron and
Elliot with the accent on the George
And I have gazed calmly upon the
Sphinx and Mona Lisa
Yet tremblingly I tiptoed past
The Dome Duplexity
Without fluttering an eyelash
There is no great gulf between the Love life of the Dogs in the village street of Royat and Other dogs or even human beings Only a subtle distinguishing finesse of Full-blooded frank expression. With Royat dogs spring is always here
Hope lurks forever
Just around the next lamp-post
They bark and bite, snarl and scratch
Purr and piddle, play ceaselessly at Fornicopulation
Even as talkie actors in gilt ritzyrooms.
But the dogs of Royat never think of
Pulling the shades down or the sheets up Openly in public they purify their bodies Fornify themselves happily
Against the rigours of a cold world
Grinning with dripping red jaws
Wagging lively laughing tails
Enacting the commonly recurrent functional Momentary crises of existence
Out in the middle of the street
All day long industriously rehearsing their Realistic Passion Play in public
Looking down a little on their peers Saintly solemn Oberammergauers and other Formal puffed-up pallid passion players Who, like barnyard roosters Piously await the Peal of the Angelus Before paying their Pompous duty calls
Boulevardearie
gants
pants
louisquince
your
pants! louey
your
gants! cants
Down haunted horridors
Asceptic nurslings wriggle Balancing bed-pans
Brandishing hastily-snatched
Baby pink catherters
Burying their blazing cheeks in the Public dirty -clothes bag
Hiding behind lavatory doors
To lure into hot pursuit
Scalpel-eyed satyric internes Practicing interment
With one obsidian brow
Lifted for the Main Chance
And the other
Well up the Main Hatch
Assisting at Caesareans
Making vermiform appendixes squirm Helping stitch up livid belly seams Forgetting surgical scissors inside. Clanging through town in helmets
Astride brass-lunged ambulances Courageously picturesque
Volunteer Out-snuffers of The Eternal Fire
Poking probing fingers into All too human apertures Bringing yowling Babes Rosebuddy and blistered Into this drab dripping Wood Turning them up to impulsively Talcum their mucilaginous mucosities Daintily dabbing the bawling bastards With demi-rouge compacts Inadvertently slipped from Viscous concealment by Nuzzly Leda-necked goosey nurslings In their paroxysmal Spasmodic scurrying Down haunted horridors
The goosipers are
Conking on the corner
Scanning the air
Spanning the air
Piercing clouds with
Hypodermic noses
Ajiggle waiting in
Cock-eye-strained eagerness
The snowy arrival of the
Aerial opium
Pigeon squad
Freshly-new, mentally-lithe
Sound, cleanly-sane
Sportsman in Life
Eager modern art experimenter
Rimbaud reincarnate
Pioneer in the Infinite
Fourth dimensional venturer·
Harry Crosby discovered
The Ultimate Pole
Located neither North nor South
First nor last, here nor there
As a human projectile
Self-shot into the
Blinding black centre of his Sun Crosby's grey ashes were not Scattered alone over Manhatton
But flashed for a full
Millimetre-second
In a bursting rainbow meteor
Trailing resplendent sparks
A scintillating shower of
Formulated Futurity
Glowing radiantly through
Time-Space from hopeful
Realms of Rising Suns to
Earthy haunted sad-eyed Setting Suns,
PANDORA AT PLAY
Blanched boned grinning hollow dice
Cupped ruby glistening pips
And big bloody spat-out teeth
Spewed from a
Purple plush-lined box
At you
Your dice, Pan!
Has Little Joe been around tonight
And mole-eyed mousey people Squinted up at the spectacle Clutching for their Faith Frantically in miraculous reticules
Brilliant explorer of Chaos
Daring delver in the Eternal
Harry Crosby accepted gallantly the Only sporting chance life offered Entered in an uncertain trial heat
By an unknown proprietor
Without even by-your-leave
He vaulted the flimsy fence into Forbidden fields of Elysium
Sprang out in independent Freedom Finished the race under his own Flying colours
Daring to draw down divine wrath
Fearlessly he crashed a
Defiant fist into the
Menacing grinning skull of
That big swaggering bully Existence He sent hollow Reality reeling . Burst the thin silly shell of
Current Life on this planet
Eager to get at the
Kernel of Creation
Foreseeing possible insufficiency
As an individual atom
Newcome in the Unknown
A half-formed single-sexed Neophyte in the
Universal Empyrean of Unity
And being born companionate
Humanly he mated in death
To full-form, complete, create
A free future conjugate
For further brilliant adventure
Even ultimate achievement in the
Kaleidoscopic
Blinding black centre of
Seven Trillion Whir1ing Suns
The Natural Cynicism of a
Newspaper Man, the
Distrust a baker has for a
Pie, the
Way a butcher
Looks at tripe
8 A. M. 9 A. M. 12 M. Coffee, cereal Office $$$$$$$$$ Brunch cigarettes, eggs chasing the dollar
1 P.M. 5 P.M. 7 P.M.
Office $$$$$$££ £ Cocktails Dinner
dollar-golf chasing
8 P. M. __________________ 1 A.M.
talkies chasing the tail tail-chasing
______________________________
&
Yes God
I've looked around
Seen the quaint devices and
Funny commonplaces you bragged about
It's all right God
I understand you're an altruist
Plus God
I know you had a high purpose &
All that God
In breathing your sensen
Semen-scented breath
Into clay pigeons Chinks Brazies
Yanks Frogs Turks and Limeys
It's a great little old world you made God
But now I'm ready for another eyeful
Mars Heaven Hell &/or
What have you got Gott
Come on with your Cummingsesque etceteras
I, who am God
Wear lavender pyjamas and
Purr poetry
Should I, who am God
Dirty my ear on the ground
Striving to catch the
Idiotic waltzing lilt of
Rhyming red-eyed dervish
Twirling white pink poet mice
In union suits?
If I I would only
O O
Darling Sit
O O
Were marooned on a Dry-eyed in its center
Little old Scanning the seas
Eye of an islette For you
Dear Dear
Fancy in poetry
Now that aeroplanes
Anchor to stars
Is a trifle old-fashioned Poets who used to yank down
Whole stellar systems to stuff Their mental mattresses To-day tug lonelily at their
Inelastic celluloid galluses
Trying to lift by boot-straps
Leaden cloddish earthen poetry feet.
Aeroplanes have made the Muse shy
As Pegasus shied of old on
Encountering unexpected comets.
Big fat gaping minds
Gazing into books
Lumbering after thoughts
Lean lithe print
Glancing back at them
Keeping well ahead
Fat old minds
Creaking at their work
Blithe, fresh running type
Circling swiftly
Round them
I have etched and etched
Scratched a thousand
Coppers, zincs and alloys
Filled them with criss-crosses
Zig-zags and cross-hatches
Like finely-woven spider-webs
I might have spent my time
To more purpose
Weaving panama hats
For all the public cares
About real Art
And now Old and broken
Unappreciated
In spite of my exhausting effort
To make the Brooklyn Bridge
Look true to life
As accurate as a photograph
With every cable stretched taut and
All the finely scratched little lines
Just as God put them in our thumbs
I face failure and renounce
The unappreciative public
In future I will devote myself to
An even subtler Art
From this day onward
I will scratch my back
For my own exclusive selfish pleasure
Scratch and scratch it
Backwards and forwards
This way and that
With an old yellow-fingered
Chinese ivory back-scratcher
Shaped as a long-nailed
Grasping ghostly hand
With all my skill
I will scratch
As finely as the finest etching
Grave with supreme technique
Superb sworling compositions
On my back where even I
Cannot see my masterpieces
My art shall henceforth be
Concealed from all
Art for Art's sake
Writing with a
Fountain pen
Is dull work
Gimme a regular pen
Or a fountain
Lord God we have in Common
This good language
To nourish us
Lord God keep us
From stammering it
Sipping it
Stuttering it
Snuffling it
Dribbling it on our
Pouter-pigeon breasts
A letter at a time
Like gruelish alphabet soup
Apathy of life
Immobility of mind
Sat-on souls
God -on your dump-heap
Throne of punctured tyres
Off Pegasus
Sitting there stolidly
Straight through eternity
Flattening piled tins of
Sardined souls
God -do you never feel like
Getting up to stretch and yawn
Say in the seventh heaven
Just to give the soul-boys
An occasional inning
New York 1930
Talkies
Twisting the rails of
Rhino
Winding up phonographs
Pushing adio plugs
Dropping nickels down slots
Jiggling telephone hooks
Talkies
Diddling with spark plugs
Cranking cranky Fords
Twisting rhinoceros rails
Rhino talks!
The snatch of life
Belonging most to me
Is an embroidered, mind-woven strip of being
Fringed along one side by
Lace of dreams
The other edge bound tightly by a
Creamy Chinese silk-band of awakening.
On this strip I sit cross-legged
Weaving the fabric as a caterpillar spins its cocoon
Using threads of experience and imagination in
undreamed design.
I put into it all the unborn butterfly stuff I have
In that small space I am a conscious chrysalid
Neither crawling nor flying
Weaving motifs of the spirit into a colorful scheme
upon which psychic soul-surges play throbbing
melodies that elude me when I wake.
My fabric is a heavenly warp, a field of
daisies sparkling with little naked girls x
carrying mushroom umbrellas.
'The feel of my giant fingers in the fairy
web gives me the thrill of creation
I embroider loud laughs playing leap-frog
with sneezes, pile up a tempting red-
ripe mountain of kisses before a pale
yellow sterile womb that looks like a
deflated balloon.
Music
May be as bad
As dancing
Toe to toe in patent leather pumps
Twinkle twinkle tickle tickle
With a tailless feather
Music
Maudlin blabbing
Little itching
••ri••••
Picking out any thread I watch it run
through the whole living web like fire,
diving with sizzling sounds into purple
ponds filled with aniline green pollywogs
which it strings as Brazilian bugs on its
golden self and hangs as a necklace over
the gleaming burnished ebony breast of
a negress who comes up from the center
of the pool with laughing lips and re-
deeming white flashing teeth
Sometimes I lie soft as down on my silken
magic carpet and press a button which
gives me a pleasant physical thrill and
puts me instantly in touch with all
humanity .
We rub hands, noses, all extremities, in-
cluding thoughts, and float warmly
down a rich river exquisitely perfumed
with essence of life, waving to Noah's
arks of animals trooping along on the
banks, like children bound for a circus
Flower show
Peering Peeping-Toms
Poached-egg eyes
Goggling at pansies
Flower show
Sagging pot bellies
Lifted enamel faces
What do people show
To the flowers
Flowers show?
Pouchy-eyed human parasites
Glowering at defenseless
Airy orchids
I have seen blacksmiths
Blowing and bellowing
Paper-hangers slapping on glue
Con-men running away
With policemen puffing in pursuit
But for years I have
Peered through venetian blinds
At poets
Without yet catching a glimpse of
One at work
I thought
Anthony Trollope
Had polished off the
Three volume novel
Forever
When along came
Anthony Galsworthy
In the reading-machine future
Say by 1950
All magnum opuses
Will be etched on the
Heads of pins
Not retched into
Three volume classics
By pin heads
STARK AS A TREE stark naked STARK AS POETRY stark mad
She was
Bacchus's Bastard Daughter
With a
Dusty cluster of
Wooden nutmegs in her hair
One aventurine eye
A tinsley laugh ha ha !
Rings
Fashioned of green gold tooth fillings And a hollow
Decadent air
Fit mate for a
Mooing minister's
Legitimate son
Varlet, bring me paper
No! Not that kind
I would write in ink
As red as your hair
Of nights and beddy battles
Dedicated on the fires
Lily-white page
To all bloody
Blushing ladies unfair
With a humble bow to culture
The ship's steward
Flung back the door of the
Veneered bookcase in the
Lounge and there
Dressed in Hart Schaffner and Marx
Impeccable business suits appeared
Nine hundred and fifty-six
Reading books
Ready for any tourist, or other American
To browse hungrily among
The ship gave a lurch
The passenger ran for the rail
My God! he cried
Books in America
Frijoles in Mexico
Leaning far out over the sea
He relieved himself
The steward approached
I thought you wanted a book sir?
We have them in the
Natty sixty dollar suitings
For tired business men
There's a lot of stern-jawed
Purposeful Western books
In Stetson hats
Shown in strong silhouette
I thought you wanted to
Read one of our best
Copyright American novels
TIT FOR TAT
The British, God bless them
Discipliners of the world
Hard-mouthed unfeeling masters
Stern hoisters of tea
Ask them for bread
And they give you
A scone
The traveller blinked at him and
Replied sourly--
No I distinctly asked for an
Ingersoll watch
It's so refreshing just to sit and
Hear one tick
And you
Have pointed your practical finger
At Jack and his beanstalk
Called him silly
Trading cows
For coloured beans
Tell me then
You cow-traders
What do you get for
Your mooing bossies
One half so fanciful and
Soul satisfying
As coloured beans
That stalk cuto heaven
Coloured beans
That produce giants
You who know beans no better
Than to thrust them
Up your nose
It isn't
Baking bricks
That makes them
So hard
It's telling them
At the start
/ They can be
Nothing but bricks