From a sociological perspective, technology is not simply the product of rational technical imperatives, the making of autonomous, unbiased, impartial and entirely objective experts. Rather, any given technology results from a series of specific decisions made by particular groups of people in particular places at particular times for their own interests and purposes. These decisions are made either in the context of conflict or in the milieu of cooperation. Either way, technologies bear the imprint of people, their social relations and their culture in a given place and time.
A good example is the Canadian rape kit, formally called the Sexual Assault Evidence Kit (SAEK). The kit resulted from a series of specific decisions made in the seventies by particular groups of people based on their views and concerns regarding sexual assaults. The artifact embodies a diversity of mostly legal, scientific and forensic meanings and understandings coming from various relevant groups such as community-based feminists, law enforcement and legal professionals, scientists, and medical experts. The SAEK, a technological procedure, a protocol, was an amalgamation of their concerns and interests and was, in the end, intended to better address the health care needs of sexually assaulted women and to improve and standardize the criterion and procedures for the gathering and compilation of medical forensic evidence. Parnis and Dumont (2006) describe it as follows:
The resultant material artifact, the SAEK, was/is a sealable box consisting of instructions and the provisions necessary for the collection of specific biological samples, physical specimens, and information concerning the assault and the assaulted woman’s medical history. The items contained within the kit were designed primarily to help establish proof of perpetrator identity (e.g., collection of available sperm/semen for DNA testing), the time frame of the assault (e.g., color of bruising as documented) and force (e.g., documentation of vaginal tears) as means of independently corroborating a victim’s account of the assault (77)
In addition, Parnis and Dumont (2006) demonstrate that the SAEK has, embedded within its design, representations rooted in scientific rationality, technical neutrality and rape mythology.
Furthermore, they show that the meanings and representations embodied within the design and lived out across the utilization of the SAEK can be seen as a blend of the bona fide juridical requirements of corroboration and validation and the personal and professional values, beliefs and prejudices of post-assault medico-legal specialists. The kit is also embedded in and embodies the application of scientific expertise and techniques to a non-science context for the systematic and objective determination of the facts of rape to be used in courts of law. As Parnis and Dumont show the SAEK is then the means by which a gendered social problem is drawn into a response model entrenched in values of technical rationality, where health experts become the technologists who collect the unprocessed data (specimens and samples) from which scientific conclusion may be made.
The rape kit shows that the social and the cultural are entangled in any given technology. Technology is then a prevalent form of the embodiment of both culture and social relations. Here, we will focus on the technological embodiment of culture, how culture is enmeshed in a given technology. The starting point is that technology embodies culture in all its elements: values, beliefs, norms, ideologies, discourses, symbols, worldviews, and practices. Technology is then culture.
Consequently, technology, embodied culture, ought to be subject to interpretation like any other cultural artifact (Feenberg 1995). As such we should examine how culture determines both the meaning and content of technology and its uses and how technology, in turn, shapes culture.
A particular technology can be interpreted or studied in terms of two cultural dimensions: its social meanings and its cultural horizon (Feenberg 1995). Both, the meanings attached to a given technology and the cultural horizon in which it is embedded play an important role in technology design, development and use.
Technologies have social meanings, a symbolic and figurative content attached to it by various social actors and/or stakeholders. Put differently, different social agents or groups construe, signify, represent or assign different meanings to the very same technology. Often, these meanings are actually embedded, encoded and/or implanted in the technology itself. Technological objects thus embody and materialize multiple social meanings. Recall, for instance the various meanings attached to rape kits in Canada, including the significance given by criminal justice stakeholders to the confirmation of perpetrator identity, for example. The multiple meanings given to the rape kit, as already shown, were not extrinsic to the kit but actually make a difference in the nature and design of the object itself. Despite some differences most actors construe the SAEK as a reliable scientific tool useful in establishing legal truths regarding rape cases and sexual violence.
Let’s consider other examples. Consider stereos and other devices used to listen to music. People give different meanings to these devices. For some people these devices denote entertainment, amusement or a hobby. For others these devices signify an opportunity to relax. Others think of these devices as technologies that allow them to appreciate music from all over the world. Others simply consider these devices as status symbols obtained through their purchasing power in the market. Others even confer to these devices emotional meanings resulting from nostalgia and memories. In short, different people attach different meanings to stereos and like devices.
Meanings are, of course, embodiments of culture. Csikszentmihalyi and Rochnerg-Halton’s (in Borgmann 1995) found that in American homes stereos are preferred to performed music because recorded music stands as a promise of disburdenment and enrichment, the promise to provide music freely and abundantly. This promise in turn is part of a larger one, the promise of general liberty and prosperity--the very promise that inaugurated modernity. And both, liberty and prosperity are core values of American culture. Stereos embody those values. And the practice of listening to music mediated by that technology also reflects and embodies those values. Today, more advanced stereos than those examined by Csikszentmihalyi and Rochnerg-Halton plus ipods, ipads, cd players, mp3s and portable computers, all of which allows us to record, save, carry and listen to music anywhere, also embody and exemplify those very same American values.
The social meanings of technology are social in the sense that these meanings are collective, not individual constructions and representations. The meanings given to any technology are also social in the sense that they are contingent, which means that the social meanings of technology vary across time and space. One can find variations across different historical moments and one can also find cross-cultural variations in the meaning given to any technology.
A technology can also be examined or interpreted in terms of its cultural horizon. The cultural horizon refers to the set of assumptions about social values that inform and determine the design of technology (Feenberg 1995). Put differently, it refers to the culturally general assumptions that form the often unquestioned background to every aspect of social life, including technology design, development and use.
Today, and especially when it comes to technology, rationalization, is our modern cultural horizon. The essence of the rationalization process is the increasing tendency by social actors to the use of knowledge, especially scientific knowledge, in the context of interpersonal relationships, with the aim of achieving greater control of the world around them. Technology is often thought, and even designed, as a mean to obtain greater control of the world around us, including social life.
The SAEK, for instance, is entrenched in and embodies the application of scientific expertise and rational techniques to a non-science context for the systematic and objective determination of the facts of rape to be used in courts of law. To the extent that it was designed to achieve greater control of the criminal investigation and the proof of perpetrator identity the SAEK is then embedded in modern rationality. Certainly, the tendency of rationalization grew withmodernity, especially with the Anglo-Germanic modernity. The cultural horizon of most technology is then Anglo-Germanic in origin (Dussel 1998). The predominance of this European cultural horizon around the world, and its mark in most technologies, is the consequence of technological diffusion, often the consequence of imperial and colonial encounters, and of the expansion of capitalism and commercial exchange worldwide. Yet, technologies are not simply adopted but rather adapted to local cultures and circumstances. Those adapting the technology construe the technology differently from the original producers and users of that technology, assigning new meanings to the technology in question. But again, and despite adaptation and the allocation of diverse meanings to technology, rationalization remains the modern cultural horizon of most technologies around the world, from the level of design to the level of use and consumption.