Skip to content Skip to navigation

OpenStax_CNX

You are here: Home » Content » Free But Not Fair Uses

Navigation

Recently Viewed

This feature requires Javascript to be enabled.
Download
x

Download module as:

  • PDF
  • EPUB (what's this?)

    What is an EPUB file?

    EPUB is an electronic book format that can be read on a variety of mobile devices.

    Downloading to a reading device

    For detailed instructions on how to download this content's EPUB to your specific device, click the "(what's this?)" link.

  • More downloads ...
Reuse / Edit
x

Module:

Add to a lens
x

Add module to:

Add to Favorites
x

Add module to:

 

Free But Not Fair Uses

Module by: Marcia Keyser. E-mail the author

Summary: There are several ways, other than Fair Use, in which copyrighted materials may be used without infringing on the owners copyright. This chapter outlines several methods.

Chapter 3: Free but not Fair Uses

Daniel was concerned about his work as a volunteer in his 8th-grade son’s middle school. He was used to making loads of copies; in fact, making copies was one of his primary tasks. However, this week he was asked to copy two chapters from a textbook not used by the school – and then to make 50 copies of each chapter. He also noticed a sticker on the textbook, indicating that it had been given to the teacher as a “review copy only”. The teacher had said that this textbook covered some issues not touched on by the one adopted by the school district. Daniel shrugged to himself and figured it was an educational purpose; that was Fair, wasn’t it?

After studying this chapter, you will be able to answer:

I. What is “educational use”?

II. What is a Creative Commons license?

III. What is the Idea/Expression Dichotomy?

IV. What is the Doctrine of First Sale?

V. What other uses are not infringing?

  • What is “educational use” and how does it differ from Fair Use?

Many Educational uses are covered by §110 of the Copyright Act, in addition to Fair Use. Educational uses are described in §110 as:

Notwithstanding the provisions of section 106, the following are not infringements of copyright:

  1. (1) performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction…

There is probably no simpler way to say this: performance or display of a work, in a classroom at a nonprofit school, is not an infringement of copyright.

However, the section goes on to specify some particulars that must be met:

-The copy must be legally acquired

-It must be directly related to the teaching of the class

-Only members of the class may view the content

-The school must educate both students and employees about copyright law in order to encourage compliance

-The content shown must include a copyright notice.

Section 110 contains a variety of other situations in which copyrighted works may be displayed or performed, but these portions are the ones most relevant to typical in-the-classroom teaching. So long as the above guidelines are followed, a teacher or school does not have to secure permission to use a copyrighted work in class.

Students enrolled in a class at an accredited, non-profit institution may make use of copyrighted materials to fulfill class assignments. Those assignments may be displayed to the class members but, technically, to no one else. (U.S. Copyright Office)

  • What is a Creative Commons license?

Creative Commons is an organization started in 2002 by then-Stanford Law professor Lawrence Lessig. It provides licenses for people who wish to share their creations without charge, but without giving up all of their rights as copyright owners. There are four basic rights that can be reserved by Creative Commons licenses, and they can be applied in almost any combination.

The first Creative Commons right is Attribution, in which a person using a work used must give credit to its author. The next right is “Share Alike.” If a person creates a derivative work under a Share Alike license, the derivative work must be shared under an identical license. The third Creative Commons right is “Non-Commercial”. In this case the original creator allows their work (and its derivatives) to be re-used for non-commercial uses only. The fourth right is “No Derivative Works,” which means that the work may be reproduced but no derivative works may be made from it. The four rights may be combined in many ways. All Creative Commons licenses allow free distribution, but within the stated parameters. More detail about the licenses and their combinations may be read at http://creativecommons.org/about/licenses/. The main Creative Commons site is at http://creativecommons.org/. (Creative Commons 2010)

Creative Commons licenses are free, and they come in three formats: Plain English, Legal English, and Computer Code, which allows a search engine to locate it. While they are not for everyone, Creative Commons licenses are suitable for academic works (which often do not earn their authors money) and for new artists who have not established a reputation. If a new artist or musician distributes their work under a Creative Commons license, their work is protected from being appropriated by more experienced (or immoral) artists. More established artists or musicians may use a Creative Commons license to distribute samples of their work at no charge.

This book about Copyright is available under a Creative Commons license. It is free, so long as the original author is credited, and not for unlimited uses, and can be adapted to different classes as needed.

  • What is the Idea/Expression Dichotomy?

The Idea/Expression Dichotomy states that the idea presented by a copyrighted work is NOT protected by copyright, but the way in which it is expressed is protected. Copyright is about original expression of ideas, not about the idea itself. A fact cannot be copyrighted, only the way in which you express the fact. (U.S. Copyright Office )

Consequently, writers or other creators may freely use the IDEAS from a copyrighted work if they express them in an original way. Also, the writers must cite the source of their ideas; otherwise, they are committing plagiarism.

  • What is the Doctrine of First Sale?

The Doctrine of First Sale states that once a copy of a copyrighted work is sold, the copyright owner may not dictate what the buyer does with the work so long as the buyer’s actions are outside of copyright. Selling or giving away a work would infringe on the copyright owner’s right to distribution, but these activities are allowed according to §109. (U.S. Copyright Office) In other words, author or other copyright owners still has the six rights of the copyright owners (copies, derivatives, distribute, play, perform, transmit) but cannot stop the buyer from giving away his copy, selling it at a steep price, renting it out, or ripping out half the pages, burning the whole book, etc. (Bob Merrill v. Straus, 1908) (Anonymous1908)

  • What other uses are not infringing?

Titles are not covered by copyright. You may quote a title of an article, song, or movie as needed. You may even use an already-published title on your new publication – so long as the original title is not protected by trademark.(U.S. Copyright Office)

A use that parodies the original use of a song, poem, movie, etc., is considered a Fair Use. In order to be a parody, the new version must comment on the original in some way. (U.S. Copyright Office) A famous example is 2 Live Crew’s version of “Pretty Woman.” The original song by Roy Orbison portrayed the woman as wholesome and desirable; the 2 Live Crew version portrays women who are pretty, yes, but are completely trashy when you get closer to them. In contrast, a song that uses the tune and re-writes the lyrics to a well-known song (such as those made popular by Weird Al Yankovich) is committing satire, not parody. “Weird Al” must acquire permission for most of his songs.

Read more about the “Pretty Woman” case at http://www.benedict.com/Audio/Crew/Crew.aspx (Copyright Website , 1)

“Scenes-a-faire” refers to commons settings in major genres of literature or movies. A western movie, for example, will commonly have cowboys, cattle, horses, tumbleweeds, small towns, a saloon, etc. Such commons scene elements cannot be copyrighted. “Scenes-a-faire” is French for a “scene that must be done”.

  • Conclusion: Was Daniel right to be concerned?

Yes, Daniel was right to be concerned about making 50 copies of two chapters of a textbook. Section 110, which covers educational uses, allows for a “performance or display” of a legally acquired copy during class time. While the textbook copy was legally acquired, the copies were not for performance or display during class time. Fair Use might apply to the making of these copies, but §110 does not.

Glossary:

License: A deed by which one person or organization gives another person or organization permission to do something.

Legally acquired: Not stolen, illegally downloaded, or received from someone who is likely to have stolen or otherwise illegally acquired it.

Scenarios:

Section 110 Educational use.

Scenario 1) Cindy was working on a power point presentation for her child psychology class. Knowing that power points can be dull, she wanted to use some photographs to liven it up. Yet she didn’t have time to set up and take the photos herself, and didn’t want to “break the law” by stealing them off the Internet, like her roommate was doing. What should Cindy do?

Scenario 2) Mr. Frazier, a 2nd grade teacher, had discovered that movies, especially animated movies, were a great motivation for his students. If 80% of them could score an A or B on a certain number of assignments, he would let them watch a recent popular children’s movie. He would rent the movies at a nearby store, and use a school DVD player. Is Mr. Frazier’s motivation in violation of copyright?

Creative Commons:

Scenario 3) Blogging.net set up its free blogging software in 2006. They set up each blog so that its content was automatically covered by a Creative Commons Attribution-No Derivation-No Commercial use license. While bloggers could opt out of this license, most were not aware of it. Are there any reasons for or against this approach?

Scenario 4) Sarah and Steven are delighted with their 3-year-old’s creativity. Like many parents, they see a lot more originality in these pictures than other people do. They have been scanning his pictures and displaying them on the Internet. To protect the pictures, Steven has been registering each one with Creative

Commons. Remembering that Creative Commons is based on basic copyright law, is there anything wrong about this situation?

Idea/Expression:

Scenario 5) Gary is an artist who has used news photos to base his paintings on ever since he began painting. He would rarely use the whole photo; normally he would select a detail, often not the main focus of the photo, and make that detail into a new painting. His paintings are “modern,” often making use of shading and coloring to convey a feeling or message. Despite these differences, a news photographer from the Chicago Tribune has accused Gary of copyright infringement. Gary’s painting of the angry strikers at a labor dispute can clearly be identified as “very similar” to the strikers in the background of the news photo. What factors of this situation argue for infringement? What factors argue for non-infringing use?

Scenario 6) Julia is a professor of biology at a State University. It is a few days before the semester starts, and she has just found an excellent set of class exercises at the end of the chapters in a textbook not used at her university. What steps should Julia take to use the exercises – or others that are based on them – in a non-infringing manner?

Titles

Scenario 7) Ryan wrote a song about a woman he’d met. Although it did not sound at all like the Roy Orbison song, he titled it “Pretty Woman,” as it seemed the most appropriate title. Is Ryan infringing on Orbison’s copyright?

Bibliography

Chapter 3: Free But Not Fair Use

Bob Merrill v. Straus (1908).

Copyright Website. "2 Live Crew and the Case of the Pretty Woman." Copyright Website 2010, http://www.benedict.com/Audio/Crew/Crew.aspx.

Creative Commons. "Creative Commons." Creative Commons 2010, http://creativecommons.org/.

U.S. Copyright Office. "Fair use." , http://www.copyright.gov/fls/fl102.html.

USC 17 Section 110: Limitations on Exclusive Rights: Exemption of Certain, Performances and Displays, (b).

USC 17: 109. Limitations of Exclusive Rights: Effect of Transfer of Particular Copy of Phonorecord. (c).

USC Title 17: 102(b) Subject Matter of Copyright. (d).

———. "What does Copyright Protect?" http://www.copyright.gov/help/faq/faq-protect.html.

Content actions

Download module as:

PDF | EPUB (?)

What is an EPUB file?

EPUB is an electronic book format that can be read on a variety of mobile devices.

Downloading to a reading device

For detailed instructions on how to download this content's EPUB to your specific device, click the "(?)" link.

| More downloads ...

Add module to:

My Favorites (?)

'My Favorites' is a special kind of lens which you can use to bookmark modules and collections. 'My Favorites' can only be seen by you, and collections saved in 'My Favorites' can remember the last module you were on. You need an account to use 'My Favorites'.

| A lens I own (?)

Definition of a lens

Lenses

A lens is a custom view of the content in the repository. You can think of it as a fancy kind of list that will let you see content through the eyes of organizations and people you trust.

What is in a lens?

Lens makers point to materials (modules and collections), creating a guide that includes their own comments and descriptive tags about the content.

Who can create a lens?

Any individual member, a community, or a respected organization.

What are tags? tag icon

Tags are descriptors added by lens makers to help label content, attaching a vocabulary that is meaningful in the context of the lens.

| External bookmarks

Reuse / Edit:

Reuse or edit module (?)

Check out and edit

If you have permission to edit this content, using the "Reuse / Edit" action will allow you to check the content out into your Personal Workspace or a shared Workgroup and then make your edits.

Derive a copy

If you don't have permission to edit the content, you can still use "Reuse / Edit" to adapt the content by creating a derived copy of it and then editing and publishing the copy.